Laurie Stras

Senior Lecturer in Music, University of Southampton

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Journal Articles

'The Madrigals of Marc'Antonio Ingegneri'. Musiek & Wetenschap 2:2 (1992), 1-28.

'Monteverdi as discepolo: Harmony, Rhetoric and Psalm-Tone Hierarchies in the Works of Ingegneri and Monteverdi'. Journal of Musicological Research 15 (1995), 149-75.

'Recording Tarquinia: Imitation, Parody and Reportage in Marc'Antonio Ingegneri's "Hor che 'l ciel e la terra e 'l vento tace"'. Early Music 27:3 (1999), 358-77.

'"Onde havrà 'l mond'esempio et vera historia": Musical Echoes of Henri III's Progress through Italy'. Acta Musicologica 72 (2000), 7-41.

'Al gioco si conosce il galantuomo: Artifice, Humour and Play in the enigmi musicali of Don Lodovico Agostini'. Early Music History (forthcoming 2005).


Book Chapters

'Marc'Antonio Ingegneri: New Biographical Information'. In Antonio Delfino and Maria Teresa Rosa Barrezzani (eds), Marc'Antonio Ingegneri e la musica a Cremona nel secondo Cinquecento. Lucca: LIM (1994), 5-14.

Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations Before Monteverdi'. In Todd Borgerding (ed), Gender, Sexuality and Early Music, general ed. Jessie Ann Owens, Criticism and Analysis in Early Music.  New York and London:  Routledge (2002), 123-65.

'Musical Portraits of Female Musicians at the Northern Italian Courts in the 1570s'. In Katherine A. McIver (ed), Art and Music in the Early Modern Period: Essays in Memory of Franca Trinchieri Camiz, Ashgate Press (2003), 145-72.

'"Concentratin' (On You)": Picturing Connie Boswell'. In Susan Shifrin (ed), Picturing Women, Penn State University Press (forthcoming 2005).


Dictionary entries

'Marc'Antonio Ingegneri'. The New Grove Dictionary of Music and Musicians, second edition, Macmillan, 2001.


Recordings (as producer)

Dangerous Gracesmusic by Cipriano de Rore and his pupils, Musica Secreta. Linn CKD 169, 2002.


Periodical Features

'Muted voices of girl power'. Times Higher Education Supplement (19 April, 2002), 20-21.



Review of Domenico Maria Ferrabosco (1513-1574):  Opera omnia (CMM 102, 1992), ed. Richard Charteris.  Music & Letters 75:2 (1994), 316-17.

Review of two volumes of Marc'Antonio Ingegneri: Opera omnia (LIM, Lucca, 1994- ), ed. Marco Mangani (II/iii) and Daniele Sabaino (I/v). Music & Letters 76:4 (1995).

'Canzonettas and madrigals' [review of various madrigal publications]. Early Music 23:4 (1995), 709-11.

'Monteverdi and Ingegneri' [review of Intorno a Monteverdi (LIM, Lucca, 1999), ed. Maria Caraci Vela and Rodobaldo Teobaldi; Marc'Antonio Ingegneri: Opera omnia (LIM, Lucca, 1994- ), ed.Maria Teresa Rosa-Barezzani and Mila de Santis (II/ii); Marc'Antonio Ingegneri e la musica a Cremona nel secondo cinquecento (LIM, Lucca, 1995), ed. Antonio Delfino and Maria Teresa Rosa-Barezzani].  Early Music 29:4 (2001) 647-48.

'The works of Orologio' [review of Alessandro Orologio, Opera omnia, 8 vols. eds. Franco Colussi, Alessandra Andreotti, Andrea Bombi, Francesco Luisi, Siro Cisilino and Giochino Perisan, (Pizzicato, 1992-2001).] Early Music 30:3 (2002), 475-76.

Review of Alfonso Fontanelli: Complete Madrigals (A-R Editions, Madison, 1999), ed. Anthony Newcomb; Madrigali segreti per le dame di Ferrara (SPES, Firenze, 2000), ed. Elio Durante and Anna Martellotti.  Music and Letters 83:4 (2002), 665-67.

(with Abigail Wood) Review of Music and Gender (University of Illinois Press, 2000) eds. Pirkko Moisala and Beverley Diamond.  Gender. Music. Education. Society. 2 (2003)

Review of Colleen Reardon, Holy Concord within Sacred Walls:  Nuns and Music in Siena, 1575-1700 (Oxford University Press, 2002) in Music & Letters (forthcoming 2004)

Review of Iain Fenlon, Music and Culture in Late Renaissance Italy (Oxford University Press, 2002) in Renaissance Quarterly (forthcoming 2004).



Written by Laurie Stras

Last updated 20 April, 2004.

The views expressed in this document are those of the author and not those of the University of Southampton.